#AmbientAugust no.1 – Aphex Twin: Xtal

by Ben Hogwood

One of the benefits of social media is the opportunity to share music we love, to get new perspectives on music we know, and to discover whole new pathways and music we haven’t heard before.

This used to be one of the best things about Twitter, but for obvious reasons I’ve closed that particular door and now enjoy BlueSky, where a welcoming community share music challenges from month to month. I’ve enjoyed a few challenges, but the latest one is definitely worth sharing with Arcana readers.

Without further ado, welcome to #AmbientAugust – with thanks to Coinneach Rooney (@coinneachrooney.bsky.social), whose idea it was. The guidelines are:

“Post an ambient track each day in August. Modular synths, lo-fi guitars, digital landscapes, or whatever feels right to you. There are rules, but you’ll only find out what they are after breaking one. 😂 Use #AmbientAugust when you post.”

My contribution for day one is Aphex Twin‘s Xtal, one of the very first bits of music we heard from Richard James back in 1992, when it was released as the first track of his Selected Ambient Works Vol. 1 anthology for Apollo Records. It samples Evil at Play, a production music track by Steve Jefferies, Mary Carewe and Donald Greig, and Apache by Incredible Bongo Band.

The track has special significance for me, as the Selected Ambient Works Vol. 1 album played a part in helping me through glandular fever at university. Here it is – very simple, and blissful:

Published post no.2,965 – Saturday 1 August 2026

New music – Dave Angel – A Time And Place (R&S)

posted by Ben Hogwood, with text from the press release.

British electronic music pioneer Dave Angel returns to R&S Records with A Time And Place, his first full-length album release for the seminal Belgian label. Arriving thirty-five years after Dave first joined the R&S family, the album reunites one of UK techno’s defining voices with the imprint that helped launch his career, renewing one of electronic music’s most enduring creative partnerships.

The first track to be made available from A Time And Place is Reflexion, featuring trumpeter Steve Waterman, an airy and jazz-inflected number that you can watch below:

A Time And Place feels less like a return than the continuation of a conversation left unfinished. Rather than revisiting former achievements, the album reflects the perspective of an artist whose creative journey has continued to evolve. Reconnecting with the label that first championed his work, Angel delivers his most personal and musically expansive statement to date.

Across fifteen compositions, the album reaches beyond the conventions of techno to reveal the full breadth of Angel’s musical identity. Drawing on jazz, soul, improvisation and richly textured electronic production, the album balances rhythmic precision with warmth, melody and emotional depth. Reflections on family, heritage, nature and the communities that have shaped his life sit alongside broader observations of the world around him, creating a body of work that feels both intimate and expansive.

That openness is reflected in a carefully chosen cast of collaborators. Celebrated trumpeter Steve Waterman features on both Réflexion and The Yellow Butterfly, bringing a lyrical, Miles Davis-inspired voice to the album after first catching Angel’s attention through his work on Paul Hazel’s Out Of This World. Elsewhere, legendary Chicago vocalist Robert Owens appears on Harmony Serenade, while guitarist Merv Carswell and vocalist Aurii Sky (Dave’s daughter, adding a poignant family connection) add further colour and texture to a record rooted in musicianship and shared expression.

While Dave Angel’s influence on British electronic music has long been established, A Time And Place reveals another dimension of an artist whose foundations were laid long before techno. Raised in a household immersed in live music and jazz culture, Angel has spent a lifetime absorbing sounds beyond the club, allowing those influences to surface naturally throughout a career defined by curiosity rather than convention.

For R&S Records, the album renews a relationship that stretches back to the label’s formative years. For Dave Angel, it reflects both the path travelled and the road ahead. Thirty-five years after 1st Voyage first announced his arrival, A Time And Place reunites artist and label with the same forward-looking spirit that brought them together in 1991, proof that the strongest creative partnerships continue to evolve.

Published post no.2,964 – Friday 31 July 2026

New music – Bibio & Dorian Concept: Shame (Warp Records)

posted by Ben Hogwood, with text from the press release

Since first meeting in 2009, Shame sees Bibio and Dorian Concept explore a shared language across sound and moving image, through a process rooted in experimentation, improvisation and exchange.

Shame arrives alongside a music video, created by the pair:

Published post no.2,958 – Saturday 25 July 2026

Switched On – Berndt / Schmidt – Cloud Machines (Thrill Jockey)

Reviewed by Ben Hogwood

What’s the story?

This is the first collaboration between John Berndt, the Baltimore band leader, and M.C. Schmidt, one half of the celebrated duo Matmos. Both have pooled their considertable expertise in avant garde and experimental music in celebration of the comic books of Jean Giraud (aka Moebius) and “the beautiful miniatures of the SKY Records Cluster/Eno/Conny Plank collaborations”.

The result is an electronic record looking simultaneously backwards and forwards.

What’s the music like?

Packed with incident across an eventful three-quarters of an hour. There is so much going on here that repeated listening is essential to absorb and appreciate the sheer scale of the pair’s inventions.

At times their music sounds like an update of Anton Webern or John Cage, so compressed is its thinking, while the pair cast the net ever wider in search of extra instrumental colour. Humour abounds, with witty thoughts bubbling under the surface as the music ebbs and flows. Especially notable are Our Theme, which behaves like the tuning process of an analogue radio, the descriptive Gecko Lazzaro, featuring trombonist Patrick Crossland and guitarist Owen Gardner, and The Analysis of Joel, a playful and colourful shredding of lines from guitarist Joel Knispel.

3000 is typical of the warmth coursing through the album, its percussion suggesting African influences.

Does it all work?

Yes, in a way that makes you want to return often to Cloud Machines to see what else you can spot. There are so many musical happenings it can be difficult to keep up at first, but as the secrets reveal themselves so too does the pair’s full invention.

Is it recommended?

Yes, without a doubt – fans of the pair’s previous work will lap this up. Be assured, the music is every bit as colourful and as far out as the wonderful cover art!

Listen / Buy

Published post no.2,955 – Wednesday 22 July 2026

New music – Justine Perry & Paula Koski: Paired Works (Ostgut Ton)

posted by Ben Hogwood, with text from Bandcamp

Paired Works is a double EP by Justine Perry and Paula Koski, developed in parallel within the same time and environment. Evolving through years of shared surroundings and creative exchange, the record emerges as a natural extension of that connection.
Produced separately, the tracks document two distinct inner worlds shaped through proximity. Justine Perry leans into deep, hypnotic forms, while Paula Koski moves through dubby and spacious structures driven by texture.

Across four sides, the record shifts between focused, forward-moving passages and more atmospheric moments, creating a subtle push and pull. Rather than settling into one singular moment on the dancefloor, it stretches across the shifting phases of a long club night. Timeless and elegant in its approach,

Paired Works will be released on 24 July 2026, and marks the debut release on Ostgut Ton for both artists

Published post no.2,949 – Thursday 16 July 2026