New music – Vanessa Wagner: Philip Glass – Étude no.17 (InFiné)

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by Ben Hogwood

Today brings us news of an important project from Vanessa Wagner, a favourite of these pages. Étude No. 17 is the first excerpt from her complete recording of Philip Glass’s Études for Piano, set for release later in 2025 on the InFiné label.

The InFiné press release goes into detail on Glass’s etudes, which are fast becoming the most recorded area of his music:

“Through her approach, Vanessa Wagner helps establish these two books as a major cycle within the grand repertoire, on par with the études of Ligeti, Pascal Dusapin, and, before them, Chopin and Liszt.

While the first book was conceived as an instructional manual to push Glass’s technical limits with a piano, the second book envisions an imagined virtuoso pianist, demanding both precision and dexterity. Glass himself has rarely performed more than a few pieces from the second volume.

Legend has it that while working on his final four études, Glass pulled a collection of poetry by Allen Ginsberg from his bookshelf. A mythical figure of the Beat Generation, Ginsberg inspired a whole generation’s desire for travel—journeys that took the young Glass across Europe (notably France) and India, infusing his work with a singular tone. As he flipped through the book, he reportedly rediscovered a personal manuscript for a piece titled Magic Psalm, which would later become his Etude No. 17.

Through her interpretation, Vanessa Wagner brings to light the delicate balance between serenity and tension in this mesmerizing composition, capturing both its poetic, wistful quality and its cinematic contrasts—inviting listeners on a journey that is as reflective as it is unsettled, much like the ever-shifting landscapes of the Hudson River.”

Watch it here:

Published post no.2,477 – Tuesday 18 March 2025

In appreciation – Sofia Gubaidulina

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by Ben Hogwood photo (c) Peter Hundert Photography/Deutsche Grammophon

Last week we learned of the sad news that the great Russian composer Sofia Gubaidulina had died at the age of 93, in her home city of Hamburg.

Gubaidulina was a true original, a composer of intensely dramatic and often spiritual music that was both distinctive and innovative. A more detailed obituary has been penned by Gavin Dixon for Gramophone magazine. Rather than do a playlist in appreciation, I have chosen a couple of albums that help illustrate some of her musical achievements.

One of Gubaidulina’s biggest early successes was Offertorium, a concerto for violin and orchestra recorded by Gidon Kremer for Deutsche Grammophon back in 1988:

On a smaller scale, Gubaidulina wrote chamber music of striking originality, using unusual instrumental combinations to achieve rarefied colours. A good range of her writing can be found on a collection from the Lockenhaus festival, released on Philips Classics in 1992:

Her early works are equally intriguing, including a number of pieces for solo guitar:

Few composers have written for low instruments quite like Gubaidulina, as her Concerto for bassoon and low strings illustrates:

At the other end of the scale is her St. John Passion, a vast setting over 90 minutes completed in 2000 to mark the 250th anniversary of the birth of Johann Sebastian Bach:

Published post no.2,476 – Monday 17 March 2025

On this day – the world premiere of Tchaikovsky’s Romeo and Juliet in 1870

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This day marks the anniversary of the premiere of Tchaikovsky‘s Romeo and Juliet, an ‘Overture-Fantasy’ marking the pinnacle of his inspiration from the plays of William Shakespeare.

Although one of his most successful works nowadays, the work had a tricky genesis – the reaction to its premiere in Moscow in 1870 was lukewarm to say the least. Two more revisions followed, the last of which we can hear in this white hot live version from the New York Philharmonic Orchestra under Leonard Bernstein:

Published post no.2,475 – Sunday 16 March 2025

Let’s Dance – Fred Everything: Love, Care, Kindness & Dubs (Lazy Days Recordings)

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by Ben Hogwood

What’s the story?

Fred Everything returns to last year’s Love, Care, Kindness & Hope, presenting a set of alternative versions, instrumentals, dubs, reprises and a couple of unreleased tracks, Broken Flute Thing and A Long Time Coming.

He does so mostly under his own steam, or with a couple of carefully chosen remixers – blending what is to all intents and purposes a new, stripped back album.

What’s the music like?

This isn’t your average remix cash-in – quite the opposite, as Fred Everything has curated a classy and well thought out collection that moves really nicely between house, dub, breezy beatless instrumentals and a few tougher house moments.

On the clubbier side sits the excellent Atjazz Galaxy Aart remix of Asolee, and Evening Ghost (Live at Mutek), which has a sharp edge. Moonrise (Dub) has a hint of the ‘80s club in its reworking.

These are complemented with some really lovely hot weather moments. The Lazy Dub version of Breathe hits the sweet spot straight away, with some beautiful string arrangements, while the sultry Alternate Version of Never, with typically winsome vocals from Robert Owens, benefits from Finn Peters’ saxophone artistry. A Long Dub Coming is a beauty, the pick of the two versions of the track here – Sapele’s vocals complemented by rich instrumentation. Meanwhile Soul Love proves a hot and humid beauty in beatless instrumental form, while Broken Flute Thing works a treat with a nagging piano motif.

Does it all work?

It does – and as such proves an ideal complement to the original album.

Is it recommended?

It certainly is. Quality house music on the deeper side for the summer, which you’re encouraged to acquire without delay…along with the original album if you don’t have it already!

For fans of… Miguel Migs, Osunlade, Atjazz, Andy Caldwell

Listen / Buy

Published post no.2,474 – Saturday 15 March 2025

Switched On – Amphior: Disappearing (Glacial Movements)

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by Ben Hogwood

What’s the story?

For his second album in Glacial Movements under the Amphior alias, Danish musician Mathias Hammerstrøm explores the point where tangible dissolves into ethereal.

It is a deeply personal exploration, as he explains. “The album is a meditation on anxiety and the longing for a time when it had less sway over me. Reflecting on my childhood, I remember how playing the piano was deeply meaningful to me, and crafting Disappearing felt like reconnecting with my younger self through the music.”

What’s the music like?

The eleven tracks here cast a wide net, their moods very different as though experiencing different hours of the day. Some of them cut off abruptly, as though passing through a door from tangible to intangible.

Under The Stars has a suitably wide panorama in its musical outlook, with low piano and spacious textures, the sky arching overhead. By contrast Time Is A Thief has softer and slightly more ominous musings, its added notes portraying the anxiety Hammerstrøm mentions before growing in power.

Echoes From The Past presents a lighter picture, though is slightly wobbly on its feet, while other tracks are much less certain in outcome. The eerie Costume Party briefly resembles the fuzzy nostalgia at the chilling close to The Shining, while some tracks, notably Bring To Light, collapse into disconcerting fragments.

Disappearing itself has an impressive grandeur, a distinctive loop asserting itself against a texture the listener can dive into, while the clock ticks ominously through the fuzzy Bloom. Everything Is Passing has a good deal of musical wow and flutter, removing the firm ground from the listener’s feet before ending in cold ambience.

Does it all work?

It does, and Mathias Hammerstrøm’s music often plays tricks with the listener’s sense of perspective. This is overall a good thing, though can be quite unnerving at times.

Is it recommended?

It is. Amphior’s latest has some highly descriptive music in its eleven short chapters, and though anxiety is never fully quelled it is certainly confronted with the overall ambience of Mathias Hammerstrøm’s distinctive writing.

For fans of… Tim Hecker, Biosphere, Aphex Twin

Listen / Buy

Published post no.2,473 – Friday 14 March 2025