For the latest in Arcana’s Ask The Audience series Jamie Sellers gives his verdict on the Royal Philharmonic Orchestra’s Prom of French and Spanish music.
Prom 40: Stéphanie d’Oustrac (mezzo-soprano), Joshua Bell (violin), Cameron Carpenter (organ), Royal Philharmonic Orchestra / Charles Dutoit
Falla El amor brujo (1914-5)
Lalo Symphonie Espagnole (1874)
Saint-Saëns Symphony no.3 in C minor Op.78 (1886)
Royal Albert Hall, Thursday 17 August 2017
You can listen to this Prom on the BBC iPlayer here
ARCANA: Jamie, how would you describe your musical upbringing?
Lots of early exposure to my elder sibling’s 1960s pop records, which they kindly left behind minus covers when they left home. At the age of seven I started to buy vinyl singles, and that was around 1972, the glam rock era. For two or three years I was listening to exclusively white rock and pop records, and it was only sometime later that I started to listen to any other music.
Did you have any exposure to classical music early on?
None whatsoever! I’m not sure what my first exposure to classical music would have been, knowingly – probably the popular classics that I would hear on TV ads, such as Carl Orff selling Brut 33 or cheap wine! For a long time – and I suspect this is true for a lot of people – you would hear only a minute or two of a much longer piece that had become famous, and those pieces would be marketed as such. You would be able to go to a petrol station and buy a ‘best of classical’ or something like that.
With your love of film, did you almost come into a lot of music that could be described as classical through soundtracks?
Yeah, definitely. Before I was even teenager I would be listening to the John Barry James Bond soundtracks, and the Ennio Morricone Spaghetti Western soundtracks. I would think what amazing music it was, but it wasn’t pop music of that era, it was obviously informed by something else. It was only much later when I started to buy soundtracks, and listened to 40 minutes of music that was just a series of cues for a film, some of which were quite ambient and instrumental and others which were hooky, almost pop-classical, that I started to listen to music in that way. I started to listen to Bernard Herrmann and Lalo Schifrin, and similar people. I got the impression that most of them were frustrated classical composers who got sidelined into making film music!
Could you name three musical acts you admire, and say why you admire them?
Off the top of my head, I would say The Beatles, Bobby Bland and Hank Williams, because they all came from different aspects of popular music and were very ground breaking in their own way, whether it be in pop music – The Beatles – or country music – Hank Williams – or blues in Bobby Bland. They all made music that has been hugely influential to subsequent generations.
Turning to the Proms, how would you describe your experience tonight?
It wasn’t totally alien to me, because I have been to a number of orchestral events, usually with the soundtrack composers involved and occasionally pop performers with orchestra. To listen to a piece for half an hour or 45 minutes that is a considerably classical piece is quite different I suppose, and when you don’t know that work as well. It was mixed overall, but I really enjoyed the first piece, with what little I knew about it! I knew Manuel de Falla the name, and knew that he had something to do with flamenco. I love a lot of Spanish music and knew that he was one of the forefathers of Spanish music. Listening to it I couldn’t hear much of that, but if I was looking for references I would …I could hear a few undercurrents of Miles Davis’s Sketches of Spain, which is probably a very broad brush to paint it with (ed – Jamie has identified the use of Will o’ the Wisp, one of the movements in the ballet, on the album).
The second piece with the violin lead I struggled with. Obviously Joshua Bell was brilliant, and everyone was brilliant, but it didn’t do a lot for me. It struck me that at the end of each movement the music petered out in an almost accidental fashion. It wasn’t until the end of the third part that it had a very definite ending, which incidentally was my favourite part of the piece. The first two parts just seemed to end in a very sudden fashion which I found a bit strange. I didn’t get on with that too well.
I wondered what the etiquette was, whether we were supposed to stay quiet for the whole performance or whether we could clap at the end of each movement, because it happened after the third movement of this piece. It’s a bit like going to a play for the first time and clapping at the end of each act, or do you wait until the end of the play?
What did you think of the Saint-Saëns?
It wasn’t quite what I expected! It’s funny, the name and the most famous theme or melody from that piece that appears in the Babe film, sung by some mice, I knew it was a pop record before that as well, a really sentimental song that was a strong ballad (If I Had You). I really enjoyed most of it, it was melodically very accessible I thought, as was the Falla. I think if I was going along to hear some classical music for the first time I might try this because most of it was very accessible, and at one point when the music really picked up it really soared a few minutes in. I was watching two banks of strings either side of the conductor, and they looked like rowers on a slave ship or something. It was visually impressive. I thought the organ would be all-encompassing but it didn’t dominate the piece as much as I expected it to.
Thinking of your experience of the Proms, what appealed to you about the visit?
The fact that we were in the stalls area and people were standing, and it was a very mixed audience, it felt much more accessible than I was expecting – I thought it would be more elitist than that. That was good.
Would you change anything about the experience?
Apart from the bar prices?! I don’t think I would change anything particularly – maybe something in the way of an introduction, but then everything was covered in the brochure we had anyway.
Would you consider going again?