Switched On – Daniel Avery: Love + Light (Phantasy)

reviewed by Ben Hogwood

What’s the story?

A surprise release from Daniel Avery, Love + Light started out as an EP – but as he worked on it under lockdown it soon became clear the piece of work was flourishing into something much more substantial – which become his third album. It is an ambitious piece of work, with 14 tracks split into two distinct halves.

What’s the music like?

Every bit as mesmerising as Song For Alpha, Avery’s previous album from 2018. It doesn’t matter that he put this one together so quickly, as his mastering of an album structure is on the money, treating it like a DJ set of his own music. He nails the ebb and flow of the work, moving between full bodied dance tracks like Dusting For Smoke and the metallic textures of Dream Distortion, which complement each other, and broad brushes of ambience that we see more of in the second half, where tracks like A Story In E5 have a magical quality.

The first half is into its stride quickly with the two big hitters referred to above, before Avery creates a blissful open air secen on the brief Katana. This acts as a prelude to the bubbling, classic techno of Darlinnn, before Searing Light, Forward Motion provides an absolute blast of sound to end the first half, Avery following up the opening salvo with a heavy breakbeat.

The second half could hardly start in a better vein, with the stunning Infinite Future, which is several tracks in itself, beautifully voiced and structured. Avery explores cathedral-like resonance in the thick textures of After The Fire, before panning even further out for the remote standpoint of Into The Arms Of Stillness. Fuzzwar offers greater intimacy and comfort, as does the warm and hazy Pure Life, before A Story In E5, the jewel in the album’s crown, a majestic piece of ambience. After that, One More Morning offers a postlude with its clock-like chimes and featherweight beat, which hints at Aphex Twin in its textures.

Does it all work?

Yes – and if anything Love + Light improves with repeated hearings. Although the album was put together quickly it has a cool intensity throughout, is carefully structured and brings out several wonderful soundscapes. Avery’s take on techno is wholly individual, spacious and unusually emotive.

Is it recommended?

Without hesitation. One of the best electronic albums you’ll hear this year.

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Switched On – Daniel Avery & Alessandro Cortini: Illusion of Time (Phantasy)

reviewed by Ben Hogwood

What’s the story?

Daniel Avery and the Nine Inch Nails’ Alessandro Cortini began working together in 2017 with the remotely-achieved collaboration Sun Draw Water, a limited release whose promise hinted heavily at greater things to come.

They completed Illusion of Time a year later when both were touring with the Nine Inch Nails themselves. Since then Avery has delivered Drone Logic, one of 2018’s finest electronic albums, and Cortini has also excelled in a solo capacity with Volume Massimo, clearing the decks for the release of this 45-minute work.

What’s the music like?

Illusion of Time is all about atmosphere, and the ability to press pause on life itself, achieved through an often fascinating blend of analogue electronics and atmospherics. The description from the promotional material of ‘quietly powerful’ is very accurate, and is achieved without any use of drums or percussion.

While that implies much less emphasis on rhythm, Avery and Cortini use textures, pitch and slowly drawn out melodies to create considerable tension and release. The likes of Enter Exit, an expansive track on a bed of white noise, or the first track Sun, emerging through a crackle of white noise and atmospherics, embody this. They alternate slowly between pitches, with indistinct sounds passing across the stereo picture. The title track then gets a more definitive loop that oscillates at an easy pace.

Inside The Ruins is ominous, to these ears at least painting a picture of oppressive history within a decrepit building. It may stand still but there are dark shadows and unseen hazards at hand. By complete contrast, At First Sight has a wonderful depth to surround its soft-centred loop. This steady pulse is the closest Illusion of Time gets to percussion, the bass notes marking time beneath thick swirls of ambience and a piercing melody of otherworldly beauty.

Water, the longest piece of music, is literally a deep dive, dark hues of blue and purple coming to mind as the music gains wonderful depth. It runs seamlessly into Stills, a coda based on a single, warm chord with a foamy crescendo that sinks back to nothing.

Does it all work?

Yes. Time spent listening closely to this album brings the most rewards, for Avery and Cortini are masters of their craft, carefully selecting their blend of sounds to describe the unseen subject matter. Their music is ultimately calming, but with frissons of danger and darkness around the edges.

Is it recommended?

Yes. Illusion of Time is a fascinating meeting of minds, which ends up being the ideal collaboration in the sense that we end up with an equally divided – and united – musical approach. It may fall into the category of ‘ambient’, but with descriptive picture painting and ever-shifting sounds it has a great deal of depth too.

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