In appreciation – Matthias Siefert

Today I want to use Arcana to pay tribute to a great friend, who very sadly passed away recently at the age of 63.

I first met Matthias Siefert in the year 2000. We were working at an Internet startup company, Muze UK, whose function was to supply data on music and film to the likes of Amazon and BOL. Matthias was brought in to head up the German department – and later, after the company was absorbed into what was then RED, we ended up working together at PPL for a while.

We formed a firm friendship based on humour (or lack of!), sport and music. Matthias was incredibly well connected and our musical tastes frequently coincided, him approaching from a punk direction and me as a late pop music developer in the 1990s.

Matthias’s connections came through his own love of music and his career as a manager, looking after a host of up-and-coming bands while forming connections to the well-known ones. I have put together some videos of songs we heard at Matthias’s funeral on Friday, along with choice cuts from musical people he knew and who we interacted with. The first is from a gig we went to in 2003, to celebrate the impending release of a new album from Goldfrapp, some of whom he knew well. This was when they were about to go stellar:

Matthias’s funeral began with music from The Coral Sea, the California band he managed headed by Rey Villalobos:

A particularly beautiful moment in the ceremony combined a meaningful montage of photographs and this beautiful early Elton John song, previously unknown to me:

Matthias was good friends with Roland Orzabal and Curt Smith from Tears For Fears – and it was wholly apt that the shuffle function brought this song up to head the playlist in the pub where we had gathered to celebrate his life:

Another connection that Matthias had was with the duo Yello, with both Boris Blank and Dieter Meier. The obvious choice here is one of their stand-out tracks:

One of the many new bands Matthias introduced me to in the noughties was The Infadels, and to this day I am surprised they didn’t make it big, because the songs are brilliant! We went to an old-school, sweaty gig at the Water Rats, King’s Cross, where they dazzled with their special mix of electronic and pop. This song was a particular highlight for me!

There is only one place to finish, however…and it’s with the final song from the funeral ceremony, The Black KeysLittle Black Submarine. Again this is a song I was not familiar with, but it struck deep with its deceptively pastoral opening and its uncanny resemblance to Led Zeppelin. Listen to the full song, though – especially if you don’t know it, and revel in the moment where the drums kick in!

Rest well, Matthias. We’ll miss you greatly, and our condolences go to your special family and friends in their shock and sadness. I will miss our chats about music and football, more recently from afar, but thanks so much for the music and the memories!

Ben Hogwood

Published post no.2,785 – Sunday 1 February 2026

On this day – Henri Dutilleux

by Ben Hogwood Picture courtesy Wise Music Classical

Today marks the 110th anniversary of the birth of Henri Dutilleux, one of the finest composers of the second half of the 20th century.

Dutilleux wrote distinctive music notable for its colour, clarity and concision, with works for orchestra and piano in particular that have proved both compelling and durable.

You can listen to two of these stand out works below – beginning with Métaboles, an orchestral work completed in 1964 and notable for its original orchestration and intensity:

Meanwhile Timbres, espace, movement, inspired by Vincent van Gogh’s painting La nuit étoilée (The Starry Night), was completed in 1978. The work is remarkably brought to life in this account:

Published post no.2,775 – Thursday 22 January 2026

On this day – Frank Bridge: 3 Idylls for String Quartet

by Ben Hogwood Photo courtesy of Wikipedia

The gentleman in the fuzzy image above, Frank Bridge, died on this day in 1941. The importance of Bridge to English music continues to be underestimated, as indeed does his originality as a composer.

Bridge exerted a keen influence on his pupil, the young Benjamin Britten, but pushed his own music to the edge of tonality without losing its appeal. Compositions that are testament to his ability include Oration, for cello and orchestra, the pictorial orchestral works The Sea, Enter Spring, Summer and There is a willow grows aslant a brook, four string quartets and two piano trios.

Yet the piece I wanted to highlight today comes from earlier in his career, a winsome trio of Idylls for string quartet completed in 1906. The second provided Britten with a theme for his Variations on a theme of Frank Bridge some three decades later. If you listen to all three you get a strong dose of English charm, wit and romantic yearning, along with a little mystery. You can listen to these wonderful pieces below, played by the Maggini Quartet:

Published post no.2,763 – Saturday 10 January 2026

On this day – the first performance of Tchaikovsky’s ballet ‘The Nutcracker’ in 1892

by Ben Hogwood. Image by Charles Reutlinger, used courtesy of Wikipedia

On this day in 1892, the first performance took place of Tchaikovsky’s popular seasonal ballet The Nutcracker Op.71, a musical and staged interpretation of Alexandre Dumas’s French version of the E.T.A. Hoffmann fairy-tale The Nutcracker and the Mouse-King.

The premiere was staged at the Mariinsky Theatre in St Petersburg, conducted by Riccardo Drigo, and found favour with the Czar, but not so much the public, who preferred the shorter Nutcracker Suite Tchaikovsky fashioned from the ballet.

Here is the full ballet, with the Rotterdam Philharmonic Orchestra conducted by Yannick Nézet-Séguin:

Published post no.2,752 – Thursday 18 December 2025

On this day – the first performance of Nielsen’s Sixth Symphony ‘Sinfonia semplice’ in Copenhagen

by Ben Hogwood. Image of Carl Nielsen in 1917 – unknown credit, used courtesy of Wikipedia

On this day 100 years ago – the first performance of Carl Nielsen’s Symphony no.6, the Sinfonia Semplice, took place in Copenhagen.

To mark the anniversary, Linn Records made a very intriguing release in September of a special version of the symphony. As the page for the album states, “conductor Ryan Wigglesworth joins Royal Academy of Music’s outstanding young musicians to revisit the composer’s later period. This recording showcases two works by Nielsen in two spellbinding arrangements by fellow-Dane Hans Abrahamsen. The No 6 ‘Sinfonia semplice’, written during a period of declining health, is viewed by some as a strongly ironic work. However, its lightness is also deeply sincere. With its crystalline weightlessness, Abrahamsen’s chamber arrangement reclaims both the quizzical spirit and sense of fragility in the original.

You can hear the album on Tidal by following the link below:

https://tidal.com/album/446995399/u

Published post no.2,745 – Thursday 11 December 2025