On Record: Royal Ballet Sinfonia / Pete Harrison: Adam Saunders Orchestral Music (Heritage Records)

Royal Ballet Sinfonia / Pete Harrison, Gavin Sutherland (The Magical Kingdom), Barry Wordsworth (Journey to Lapland)

Adam Saunders
The Magical Kingdom (2003)
Fairytale Sleighride (2008)
Journey to Lapland (2020)
Ballet for Strings (2025)
Capriccio (2025)
Parade of the Snowman (2025)
Sinfonietta (2025)
Sketches of New York (2025)
Three Pieces (2025)

Heritage Records HTGCD117 [68’12”]
Producer Philip Lane Engineers Tony Faulkner, Mike Ross-Trevor (The Magical Kingdom)

Recorded 4 February 2023 at CTS, Wembley (The Magical Kingdom), 12 September 2023 (Journey to Lapland) and 2, 3 January 2026 (all other works) at Henry Wood Hall, London

Reviewed by Richard Whitehouse

What’s the story?

His work having featured on several of its miscellanies, Heritage now issues an album devoted to the music of Adam Sanders (b.1968); his skill when navigating various genres and blurring of easy distinctions between ‘light’ or ‘serious’ music made evident throughout this collection.

What’s the music like?

His music often having an illustrative or pictorial aspect does not lessen Saunders’ technical command in a medium for which he has keen affinity. This is as evident in the earlier pieces here as in those more recent works that, between them, make up the larger part of this album.

The curtain-raiser that is Capriccio having launched proceedings with wit and insouciance, Three Pictures demonstrates Saunders’ all-round versatility across three movements which take in the animated Fanfare and Celebrations, the raptly evocative landscape conjured by Rivers of Calm, Peaks of Magnificence, then the final burst of activity conveyed through Dances of Exuberance. With its often resourceful scoring for strings and harp, Sketches of New York is the highlight of this collection – whether in the pulsating while never mindless activity which characterizes Bustling Metropolis, the elegiac expression of Lonely Souls, the lilting elegance of Green Dances, or the lively and joyful abandon of A City at Play.

If the sprightly and entertaining march-past that is Parade of the Snowman has not become a regular seasonal fixture on Classic FM, it certainly ought to be. As, for that matter, should The Magical Kingdom which subtly refits the British light music from an earlier era for the present day. It lasts barely 10 minutes overall, but Sinfonietta cannily outlines a symphony   in miniature as it moves from the spirited incisiveness of its initial Allegro, via the tranquil eloquence of its Adagio then the humorous resolve of its Scherzo, to the brilliant display of its final Allegro. One of the relatively few abstract compositions in Saunders’ output, this is also one of the most appealing and it would be worth the composer building on its promise.

Fairytale Sleighride finds Saunders back on familiar ground and what is another miniature made for Christmas with tuned percussion to the fore. More substantial (indeed the longest overall work on this collection) is Ballet for Strings – its five movements at once dance-like though self-sufficient in content as they take in expressive characters which are respectively humorous in intent; gracious while not a little nostalgic; animated but with searching asides; delicate in scoring if robust in spirit; then energetic to a degree that sees the overall sequence through to a decisive close. It only remains for Journey to Lapland to round off proceedings with its ‘adventure’ being played out for the pleasure and enjoyment of listeners everywhere.

Does it all work?

It does. Those having heard Saunders’ overture Pirates Ahoy! (Dutton CDLX7190) or one of the seasonal pieces on Heritage’s Christmas anthologies (HTGCD139 and HTGCD299) will find much to enjoy, not least with the Royal Ballet Sinfonia so attuned to his attractive idiom.

Is it recommended?

It is, not least as enhanced with excellent sound produced by and informative booklet notes written by Philip Lane, among the leading British light-music composers of his generation. Hopefully there will be further opportunities to hear Saunders’ orchestral work before long.

Listen / Buy

You can explore purchase options at the Heritage Records website. Click on the names for more information on composer Adam Saunders, the Royal Ballet Sinfonia and conductors Pete Harrison, Gavin Sutherland and Barry Wordsworth

Published post no.3,003 – Tuesday 1 September 2026

On Record: A Child’s Christmas – Orchestral Music For Christmas (Heritage)

Hely-Hutchinson Overture to a Pantomime (1946)
Hewitt Jones Christmas Party (2016)a; Overture: The Age of Optimism (2023)
Kelly Sing a Song of Sixpence (2020)
Lanchbery Tales of Beatrix Potter – excerpts (1971)
Lane/Nicholls Suite: The Adventures of Captain Pugwash (1999)b
Moore Santa’s Sleigh Ride (2019)
Saunders A Magical Kingdom (2003)a; Journey to Lapland (2020)
Thornett A Child’s Christmas (2016)a

Royal Ballet Sinfonia / Barry Wordsworth, aGavin Sutherland; bCity of Prague Philharmonic Orchestra / Julian Bigg

Heritage HTGCD139 [66’03’’]

written by Richard Whitehouse

What’s the story?

Heritage adds to the festive cheer with this latest anthology of music for, about or appropriate to Christmas as heard from a child’s perspective, expertly realized by this brace of orchestras and three conductors, in what should prove the ideal addition to anyone’s Yuletide listening.

What’s the music like?

The effervescence of Victor Hely-Hutchinson’s Overture to a Pantomime sets the ball rolling ideally, replete with Sullivan-like melodiousness whatever its lack of seasonal tunes, then into the title-track by Gordon Thornett – an appealing concocted medley with more than a hint of Tijuana to the brass (anyone recall the Torero Band’s 1968 masterpiece Tijuana Christmas?) and winsome writing for the woodwind. Adam Saunders displays his light-music credentials in the catchiness of A Magical Kingdom, then a deftly evocative touch in Journey to Lapland.

The youngest composer here, Thomas Hewitt Jones contributes two of the most substantial pieces in the cinematic Christmas Party, unashamedly old-style (not just musically) and with brother Simon the animated violinist, while The Age of Optimism makes for a stirring curtain -raiser. Roy Moore duly adds to what has become a notable Christmas sub-genre with Santa’s Sleigh Ride, while Bryan Kelly proves to be the present-day Roger Quilter with Six a Song of Sixpence – an extensive and resourceful fantasia on children’s songs both witty and amusing.

Prolific conductor and arranger for ballet, John Lanchbery (whose centenary fell this May) is well remembered for Tales of Beatrix Potter, drawing judiciously on a range of 19th-century light music – hence the graceful ‘Introduction’ and whimsical ‘Tale of Jemima Puddleduck’, before those lively goings-on of ‘The Picnic’ head straight into the jauntiness of the ‘Finale’. Launched with its indelible signature-tune, The Adventures of Captain Pugwash finds Philip Lane and Ian Nicholls in absolute accord for this saunter through the world of the sea-shanty.

Does it all work?

Yes, given that this is a miscellany only loosely unified by its Christmas theme – most of the pieces being ideal for listening at any other time of the year. The playing of the Royal Ballet Sinfonia is finely attuned under the direction of such ballet stalwarts as Barry Wordsworth or Gavin Sutherland, and the City of Prague Philharmonic Orchestra evidently enjoyed making acquaintance with Captain Pugwash (was the cartoon shown in the former Czechoslovakia?). Nor do these recording sessions suggest anything like a 24-year timespan in terms of sound.

Is it recommended?

Indeed, given this is a worthwhile addition to the Christmas music discography and features a succinctly informative note from Philip Lane. Those who get the seasonal bug should look no further then Heritage’s volume The Spirit of Christmas [HTGCD299] for a follow-up release.

Listen & Buy

You can explore purchase options at the Heritage Records website

Published post no.1,983 – Thursday 19 October 2023