Johan Dalene (violin, above), Andreas Brantelid (cello, bottom), Christian Ihle Hadland (piano, middle)
Korngold Piano Trio in D major Op.1 (1909-10)
Ravel Piano Trio in A minor (1914)
Wigmore Hall, London
Monday 7 July 2025 (1pm)
by Ben Hogwood
With the BBC New Generation Artists scheme reaching its quarter century earlier this year, we had a timely reminder of its legacy in the shape of this high-powered BBC Radio 3 Lunchtime Concert at the Wigmore Hall. All three artists record for the BIS label, and on this evidence it is to be hoped the three will form a lasting trio, for they have an obvious and enduring musical chemistry.
The concert began with the first published work of Erich Wolfgang Korngold, a child prodigy in the same line as Mozart and Mendelssohn before him. While his Piano Trio in D major Op.1 is dedicated to his father Julius, who was a forceful influence on his son’s writing at this point, to have written such an accomplished work is simply remarkable. The work’s rich harmonies and searching melodies explore new possibilities while revering past traditions, a Viennese work written through the eyes of a young composer showing off his agility and expressive potential.
The trio can be elusive on occasion, with a lot packed into its four movements. On occasion the young composer appears to be trying out variants of a modern Viennese style, which comes to him naturally along with an awareness of developments in France. Fauré is a notable influence; so too Brahms and Richard Strauss; and these, mixed with youthful passion, make a heady concoction.
That this performance succeeded owed much to the dexterity and balance of pianist Christian Ihle Hadland, bringing clarity to the second movement Scherzo where Korngold’s thoughts are not always finished before moving onto the next melody. Johan Dalene gave room to the fervent Larghetto, bringing out its thoughtful side with a pure tone in the higher violin register. Meanwhile the strength of the finale was bolstered by its longer sentences, adhering clearly to the energico of its marking but with Dalene and cellist Andreas Brantelid finding perfect melodic unison. All three players enjoyed Korngold’s oblique approach to the final cadence, signing off with some panache.
Ravel’s Piano Trio in A minor was in his mind for some time before writing, though once composition began it did so with great urgency, the composer aware that the First World War was imminent. Hadland was superb throughout this interpretation, the crystalline quality given to the piano’s chords setting the tone for the whole work. Dalene responded with a sweet melancholy to the second theme, while the trio’s white-hot energy and virtuosity in the fast ensemble passages was something to behold.
They also relished the cross rhythms of the Pantoum, given with some exotic colours as Ravel’s mind became distracted by thoughts and the musical language of the Far East. Those were even more apparent in the language of the Passacaille, the threat of war now prescient in the hollow left-hand line of the piano, picked up by Brantelid as though intoning a Gregorian chant. This thoughtfulness and relative darkness gave way to a brilliant burst of light in the harmonics opening the finale, where again the trio reached energetic highs amid bold and clear ensemble statements. Hadland’s mixture of precision and power proved ideal for Ravel, helped by a similar approach from both string players, all three sweeping all before them in the convincing closing bars.
These were performances to cherish, while thought provoking in their proximity to the War where Korngold raised money as a regimental band leader and composer while Ravel approached the front line as a munitions lorry driver.
Listen
You can listen to this concert as the first hour of BBC Radio 3’s Classical Live, which can be found on BBC Sounds until Wednesday 6 August.
Published post no.2,589 – Tuesday 8 July 2025
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