For the latest in Arcana’s Ask The Audience series Roisin Brophy (above) gives her thoughts on the BBC Symphony Orchestra and their Prom of English music under Sir Andrew Davis.
Prom 53: Stacey Tappan (soprano) Dame Sarah Connolly (mezzo-soprano), Anthony Gregory (tenor), BBC Symphony Chorus, BBC Symphony Orchestra / Sir Andrew Davis
Vaughan Williams Fantasia on a Theme of Thomas Tallis (1910)
Hugh Wood Scenes from Comus (1965)
Elgar The Music Makers Op.69 (1912)
Royal Albert Hall, Thursday 29 August 2019
You can listen to this Prom on the BBC iPlayer here
ARCANA: Roisin, how would you describe your musical upbringing?
I am from a very heavily Irish catholic family. I grew up on a lot of Irish folk music, and my mum is quite a hippy at heart. My god parents are also hippies at heart, and so I grew up with a lot of Cat Stevens and Joni Mitchell. My mum’s got really good taste in music, so I grew up always loving Led Zeppelin and they continue to be my favourite band.
My dad is quite a musical person, he plays guitar and sings, and therefore I think I was very influenced into doing folk music as a child, and also being a catholic and going to catholic school, and going to church – where I heard choral music. I sang in a choir for our local church, and I stopped when I was about 15 or 16.
I got into drum and bass completely by accident. I don’t even listen to drum and bass! I know a lot of it but because I happen to work in it. I was just picked up by a dubstep producer years ago, and got into drum and bass from that. Folk is my most natural style of music, although I don’t write it professionally.
Could you name three musical acts you love, and why you love them?
Joni Mitchell (above) – (a) because I grew up on her music, (b) because I think her vocal range and songwriting ability is unreachable by anybody else.
Led Zeppelin (above) Again the vocal range and the guitar and drum skills, for me, and their heavy influence from blues music, which you can really hear going into pop music.
My third would have to be Dolly Parton (above), because she’s a sassy lady, her songs are insanely catchy and again her voice is like no other.
What has been your experience of classical music so far?
I’ve always studied music, and did GCSE and ‘A’ level before studying popular music at university. I’ve always been around people that have been involved in classical music but not been involved personally, as I have always been on the popular or folk side of things. Going to Goldsmiths, which is very renowned for being a classical music education system, I had a lot of friends that were classical musicians and opera singers.
I’ve always loved classical music, and studying it you learn what you like and what you don’t like. I still listen to it most days, it’s more of a morning thing for me. I like piano-based stuff. Vladimir’s Blues by Max Richter is a good example.
How did you rate your first Proms experience?
I absolutely loved it, and I’m actually a bit blown away by how much I did love it. The second half was definitely a lot more emotive than the first, but I think that was because of how the piece (Elgar’s The Music Makers) moved. The crescendos were incredibly moving and the sound in general was such a massive sound with the choir, females on one side and male on the other, a huge orchestra and the percussion in the second piece.
I think it made me appreciate that it was not a piece of classical music I would necessarily listen to on headphones, but now that I’ve seen it live and understand the musicianship behind it, I would very much want to listen to it again as a recording.
What did you think of the Vaughan Williams?
I have a feeling I recognised it. I felt it was light, soft, warming, and dreamy. It was nice to listen to live and I have never seen classical music to that standard live before, so when that piece first opened and the string players were playing it together, how crisp and clear and on point it was! It almost sounded like it was recorded, it was so perfect.
What did you think of the Hugh Wood?
It definitely told the story and was creepy at times. It felt like it was for that purpose, and the emotions that it conveyed was exactly what it was meant to do. It was eerie and scary, and seeing the singers battle against the orchestra with no microphones was pretty amazing. I loved it.
But the Elgar was the one you love the most?
Yes, for sure. It was just a lot more emotive and there was more behind it. The sheer size of it you could tell not only how much went into the writing of it, but I can’t even begin to imagine what it must be like to write for that many musicians and to think about that many parts working together, and for it to come out that perfect. Add to that the hard work and musicianship and understanding the commands of the music itself was amazing.
What did you like about the Proms?
The venue is amazing, a beautiful place to be, and it’s worth a visit on its own regardless of whether there is a concert or not. Going to see classical music you’ve never seen or heard before, for me it opened my ears to listening to classical music I would never necessarily listen to at the moment. Now I’ve seen these pieces live I could now appreciate listening to a recording.
What might you improve about the experience?
I don’t want to change it, because it was as it’s supposed to be. I think because I’m used to going to watch music that requires amplification, seeing music that doesn’t require amplification that is never going to be as loud so you have to wear earplugs as it’s so bloody loud, so maybe I would change the loudness of the sound. But it has a meaning, and that’s the whole point.
Would you go again?
You can listen to the Elgar piece The Music Makers below in this recent release from Dame Sarah Connolly and the BBC Symphony Chorus & Orchestra with Sir Andrew Davis: