On Record – Panda Bear & Sonic Boom: A ? OF WHEN (Domino)

Reviewed by Ben Hogwood

What’s the story?

The second collaborative album between Animal Collective’s Panda Bear and founding member of Spacemen 3, Sonic Boom, looks to build on their successful work together on the Reset album of 2022.

A ? OF WHEN takes a different approach, using as its source material harp loops from Mary Lattimore, together with steel drum sequences, pedal steel webs and fragments of a mariachi band.

While the music might sound detached, it is actually a sharply observed commentary on the state of the world. As the album progresses they look at online exhaustion and progressive depression, political upheaval and the environment.

As the text on the press release states, “The goal is for the music to create physical connections between people, to encourage them to enjoy a real experience in the world with it and each other.”

What’s the music like?

In relation to the objective of the album, it is very much job done – for a listen to this album gives the listener a lasting positivity.

There may be some lyrical dark spots on the surface but musically this is bright sunshine, a celebration of two musical minds meeting and sparking some genuinely uplifting music.

The obvious reference points are The Beach Boys, with a frisson of The Mamas and the Papas and also The Zombies, but all updated with electronic knowhow and hazy production warmth. The source material – Lattimore’s harp and the accompanying steel band brightness – is economically used, and proves the perfect complement for Panda Bear’s vocals.

These are as distinctive as ever, and burrow into your brain via the incredibly catchy Lucky Charm or the light / dark alternations of Graveyard, up in tempo but down in lyrics.

The chorus of Never Givin’ In is a lasting show of strength, while the upbeat title track follows suit. Pray to you is immersed in watery strings, while Somethin’ that lasts shows this music has staying power, finding grace and tender moments among the woozy reverb.

Does it all work?

It does. The two work easily in each other’s company, and the resultant sound is like a musical heatwave.

Is it recommended?

Heartily. Music can be so much fun in collaboration, and A ? OF WHEN celebrates the outcome. Pure musical enjoyment was rarely so immediate!

For fans of… Animal Collective, The Beach Boys, Peaking Lights, Supertramp

Listen / Buy

You can explore purchase options for A ? of When on the Domino Music website

Published post no.2,981 – Thursday 13 August 2026

#AmbientAugust no.10 – M83 – Coloring The Void

by Ben Hogwood

I have always admired the ability of Anthony Gonzalez to paint expansive musical pictures in his work as main writer for M83. However he is an extremely effective ambient writer too, as he showed on the largely instrumental release Digital Shades Vol. 1 in 2007, writing almost completely without beats. Coloring The Void is a completely unhurried example from the album’s core, scaling the peaks of euphoria as it progresses:

Published post no.2,980 – Monday 9 August 2026

#AmbientAugust no.9 – The Sabres of Paradise – Smokebelch II (Beatless Mix)

by Ben Hogwood

The work of Andrew Weatherall is greatly missed, not least because he managed to include so many different forms and genres in his writing. We don’t always associate him with ambient music, but Sabres of Paradise, the group he was part of with Jagz Kooner and Gary Burns, wrote an absolute beauty with this heat-soaked track:

Published post no.2,979 – Monday 9 August 2026

#AmbientAugust no.8 – William Orbit – Piece in the Old Style I

by Ben Hogwood

A full appreciation of the visionary producer William Orbit will follow tomorrow, but for now here is one of the most effective tracks from his album recasting classical music, Pieces in a Modern Style. In it he takes two of Henryk Górecki‘s Pieces in the Old Style, of which this is the first:

Published post no.2,978 – Sunday 8 August 2026

#AmbientAugust no.7 – Michael Brook: Breakdown

by Ben Hogwood

Michael Brook’s Cobalt Blue album from 1992 has just been re-released by 4AD, bringing his form of studied guitar ambience to new audiences, while reminding those who listened the first time around just how good it is.

Brook played the ‘infinite guitar’, an instrument he created that could sustain notes indefinitely. He was joined by ambient music royalty, with Brian and Roger Eno contributing, along with Daniel Lanois. The result is a rather beautiful long-form composition dividing nicely into 12 parts. The second, Breakdown, is particularly blissful:

Published post no.2,972 – Friday 6 August 2026